Nineteen Eighty-Four:
A Horror of Truth
The filmed version of Nineteen Eighty-Four displays
how minimal cases of extreme horror can be used as a
means of oppression. For the characters of Nineteen
Eighty-Four, witnessing public executions of thought
criminals and prisoners of war is a daily experience
that the citizens living in Oceania undergo. The film
displays a crowd of thousands gathered around several
prisoners blindfolded and awaiting execution. With each
gunshot fired, a hysterical cheer erupts from the crowd
while the camera focuses on a horrified expression on
Winston’s face, a detail not conveyed in the text
version. Winston, who has already convicted himself of
thought crime, clearly realizes that the message of resist
and be shot is being directed towards thinking minds
like his own. The oppressive message is ignored in Winston’s
case, since he is merely using the crowd as a cover to
meet with another thought criminal. Yet the scene still
displays how horrifying images can create the mindset
required for a ruling class to dominate those below it.
The ruthless display of power conveyed by helpless prisoners
being executed for even the simplest forms of resistance
is a method of conditioning those who disagree with the
party into thinking that there is no hope to alter the
future.
Prior to the execution scene in the novel,
and before he has met his female thought criminal counterpart,
Winston displays the feelings of helplessness that the
party desires from individuals in his position: “His
heart sank as he thought of the enormous power arrayed
against him” (Orwell 37). At this point in the
story, Winston seems to believe that he is the only free
mind in a sea brainwashed inhabitants. Upon the threat
of exposure, and therefore death, Winston is terrified
to make his position on the party known. Winston’s
fears consequently show how the horror of ridicule followed
by execution are used as a means of preventing fellow
thinkers from uniting and becoming a formidable force
capable of competing with the party. An individual opposing
an oppressor such as the INGSOC party will understandably
feel hopeless in comparison to its power. Should those
who wish to resist the tyranny realize that they have
the influence or the numbers to do so, they may very
well act out on their desires. The terror of death upon
exposure is henceforth used by INGSOC to preserve the
individualistic and helpless mindset.
To further ensure that the individuals
disagreeing with INGSOC remain in a personal and helpless
frame of mind the party trains its followers from an early
age to spot and expose thought criminals. In the filmed
version of Nineteen Eighty-Four, this becomes
evident in the scene where Winston is fixing his neighbors
sink. For no apparent reason, the young boy who is also
present in the room announces that Winston is a thought
criminal. As unjustified and irrelevant as this claim may
seem, the child is in any case correct. Winston’s
position is not uncovered as a direct result of this accusation;
however the incident displays how an oppressor can use
its subjects to further enforce its terrorism. The child’s
statement tells Winston that the very people he wishes
to free are willing to expose people like himself. Recruiting
other individuals to oppose the party becomes a nearly
impossible task as a result of this dog like loyalty. Formidable
opposition of the oppressor, and thus hope for changing
the situation also becomes unquestionable with the acceptance
of this realization. Again, the minimal display of horror,
a ruthless execution ceremony, has been maximized in effect;
reminding the individual the he is helpless in the face
of the oppressor.
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