Nineteen Eighty-Four:
A Horror of Truth
Horror in a literal sense often brings
to mind images of gross or violent intent. The natural
reaction to such images or thoughts is a response of
aversion or dismay. In a theatrical sense, an audience
often enjoys the rush that accompanies such terrifying
ideas. An audience’s assumption that they will
never become subject extreme conditions of violence often
masks the true result of real life horror. George Orwell,
in his distopian, futuristic novel Nineteen Eighty-Four displays
how horror can be used as a method of control. Through
an elaborate system of state sponsored terrorism, the
INGSOC party dominates the fictional country of Oceania
in a master to slave like fashion. So tight is INGSOC’s
grasp on its people that a large majority of the characters
in Nineteen Eighty-Four seem to believe they
are living a life of their best interest. The independent
minds such as Winston, the main character, who realize
the reality of the situation, are constantly conditioned
into a feeling of hopelessness. This discouraging mindset
eventually evolves into an ignorant dependence towards
the party. The party slogan Ignorance is Strength is
found in all aspects of Oceania’s society. The
most noticeable example of this slogan is the Thought
Police, who are assigned the task of exposing and, in
a very sadistic manner, brainwashing citizens in disagreement
with the party. Nineteen Eighty-Four is a prime
example of how an oppressor can use minimal instances
of horror to maintain either a dependant or a powerless
state of mind within a population, thus permitting their
exploitation.
The film interpretation of Nineteen
Eighty-Four begins with a mass of workers gathered
around an enormous television screen. The program shown,
called the two minutes hate, begins with serene representations
of Oceania. The image soon transitions into violent
scenes of war. At one point, a recording of an enemy
combatant firing his automatic rifle towards the camera
results in a horrified scream from one of the women
in the crowd. Shortly thereafter the INGSOC logo is
displayed accompanied by the national anthem of Oceania,
putting the entire crowd into an opiate like bliss.
In this case, horror is being used by the party to
create a feeling of dependence within the oppressed.
After seeing such a fear inducing film, the viewers
display a feeling of gratitude towards their protectors.
The submissive workers become completely ignorant to
the idea that they are being exploited because they
become preoccupied with the idea of safety that their
leaders provide them with. The terrifying images presented
to the population are a method of conditioning the
public into feeling helpless without the guidance of
INGSOC. With the ever present threat of an enemy army,
the inhabitants of Oceania become more obedient in
the name of security, thus allowing INGSOC a tighter
grasp on its subjects through the display of horrifying
imagery.
To further encourage the feeling of
dependence for the party, portraits of Emanuel Goldstein
are shown throughout the two minutes hate. Goldstein is
leader of the resistance and scapegoat of every flaw in
Oceania . For instance, the government does not make a
miscalculation when production needs are not met; the mishap
is instead blamed on faulty data entered into the system
by Goldstein’s resistance. When the water supply
goes bad, the deaths are a result of Goldstein’s
people poisoning the reservoirs. In this sense, any horrific
action committed by the government can alternatively be
placed at the feet of the resistance. With the omniscient
presence of a terrorist organization, safety takes priority
in the fearful minds of the population. The radical, sometimes
violent portrayal of the resistance gives citizens of Oceania
further reason to feel reliant upon INGSOC’s façade
of protection. Through their representation of Goldstein,
the party has created a feeling of helplessness by masking
their faulty, sometimes horrific, actions as those of an
enemy entity, therefore allowing further repressive action
upon their terrified members
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